Visual analysis of The Merode Altarpiece Essay Example | Topics and Well Written Essays - 750 words

optical analysis of The Merode Altarpiece - Essay ExampleThe Merode Altarpiece is a house flick by Renaissance workman Robert Campin whose creation time is around 1427 to 1432. The painting was created in Tournai in the Netherlands, which is the creative persons place of blood line but it is currently on display at the metropolitan Museum in the United States (The Metropolitan Museum of Art). The painting is divided into three panels the main panel shows the moment just before the annunciation of Mary. She is sitting on the floor reading a bible and is looking down. To her left is an angel she is not aware of, with an rounded table separating them. A small figure of Jesus is flying towards Mary holding a crucifix. The aright panel has Saint Joseph in a carpentry workshop where he is making mousetraps with a townscape look behind him in an afford window. The right panel has two figures, assumingly the commissioners of the painting, called the donors waiting to go inside an op en door (Barnet, Peter, & Nancy 125). This painting also goes by the name The Annunciation, which is an event in the Christian sanctum sanctorum Bible in which a virgin by the name of Mary receives the news of her appointment to be the e finessehly mother of Gods son, Jesus.An angel from heaven visits her while she is at home and gives her the approximate news. The name itself also hints one on the purpose of the painting Christian believers or cathedrals for devotional and aesthetical purposes commissioned altarpieces. It is therefore a religious artwork. The artist captures the human figures and specifically their faces with their expressions on, making the artwork more of a combination of portraits to make a composition. However, there are outdoor scenes appearing from the openings and windows in the backgrounds portraiture cityscapes. The work therefore combines both landscape and portraiture although the portraiture aspect seems to dominate more. According to the Metropoli tan Museum, The Merode Altarpiece measures 64.5 cm in length by 117.8 cm as an overall painting with a main panel of dimensions 64.1cm by 63.2 cm, and two identical side panels measuring 64.5cm by 27.3cm each. The width of the painting is slightly below two times the height therefore creating a rectangular (landscape) orientation of the work. The artist employs much use of rectangles, squares, and straight lines in vertical or horizontal movements that harmoniously blend in with the shape of the frame. For instance, in the middle panel where the figures are in a room and the wall and capital lines originate from the background and come to meet the frame, creating a view as if one is peering through a window or the wall is missing (Nici 243). The frames merge with most of the shapes rather than disagree with or finish them. The Merode Altarpiece is oil on Oakwood. The style of creating workspace and framing is popular as panel art. Panel art is a technique of creating frames in the renaissance period where artists had carpenters make them wooden panels covered with cloth and laughable with gesso paste to create a smooth painting surface (DElia 19). The work is done in oil paints, which is another preference of most renaissance artists. During the renaissance period, the use of tempera colors was sightly unpopular as artists discovered that oil